Katy Hickman: Full-Length Plays
BRIGHT BOY The Passion of Robert McNamara
Character Breakdown: 4M, 5F
Set/Technical: Needs to be versatile and have a sense of size. Must suggest massive, muddy digging site and Mt. Whitney. Lends itself to special lighting and sound design, as well as abstract set design.
Running Time: Two hours
Production History:
Reviews:
GO! RECOMMENDED - LA Weekly "...takes us into the idiosyncratically brilliant but controversial mind of Robert McNamara (Garrett M. Brown)"
L.A. Weekly, Mayank Keshaviah
>Full Review
LOS ANGELES TIMES "Hickman's play mines still-relevant questions about genius, hubris and social responsibility ... James Eckhouse's stylish staging plays up the more whimsical elements ... in Brown's acerbic yet thoughtful portrayal, [McNamara] comes to question the truth of accusations leveled at him, and the meaning of his life"
Los Angeles Times, Philip Brandes
CRITIC'S PICK - Backstage West "Hickman artfully melds fact and whimsy in a way that is simultaneously satiric, intellectually adroit, and moving ... the writing is strikingly funny, and director James Eckhouse's production is so tight he's able to whip up laughs from situations that are as rich in pathos as they are humor. Performances are top-notch, anchored by Brown's compelling, scenery-chewing turn ... the scenes in which Armstrong's hilariously dysfunctional Vietnam vet hopes for some kind of closure in regards to the war, only to be foiled by McNamara's unabashed lack of guilt, are droll and powerful - a perfect comic turn. Also fine in smaller roles are Walsh's confused campus president and Graham Sibley as McNamara's tightly wound flunky."
Backstage West, Paul Birchall
>Full Review
DAILY BREEZE "Unlike the glut of current heavy-handed antiwar plays, and the one-dimensional satires of President George W. Bush, Hickman doesn't resort to easy answers. Instead, by creating a bizarre fictional world, and tossing McNamara into the eye of that storm, she allows issues to arise without offering solutions. It's a complicated script, which director James Eckhouse and his versatile cast turn into an intriguing two hours ... Brown's impressive performance delivers strong comic moments and quietly tender scenes. Eckhouse's direction allows for the script's comedy to shine by keeping the performances reserved and the pacing fast. Laura Fine's set design, which includes many metal file cabinets and desks covered in vines and grass, echoes the jungles of Vietnam, and how the war that ended 30 years ago still impacts and informs today's geopolitics. McNamara has spent his later years reviewing the country's mistakes. Hickman, through this gentle comedy, argues that if we don't listen, we are doomed to repeat them."
The Daily Breeze, Jeff Favre
REVIEW PLAYS - Never mind the movie "Fog of War", and forget the books that McNamara wrote. If you want the real scoop, this is the place to go! Well, maybe not the real, Real scoop, but enough of it to provide a thoroughly entertaining and fascinating evening of theatre done in the way theatre should be done.
Review Plays
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FLAVORPILL Finding similarities between Iraq and Vietnam makes a nice pastime for critics of the current administration, but this allegorical comedic play pushes beyond the easy lure of political outrage. Using Robert McNamara, President Kennedy's Secretary of Defense, as a character, the show explores the choppy waters of paradox in the human heart. - SND
Flavorpill.net, Shana Nys Dambrot
>Full Review
DAILY VARIETY Katy Hickman's new play, "Bright Boy: The Passion of Robert McNamara," tries to capture the man in all his complexities and contradictions. A world premiere production by Ensemble Studio Theater-L.A. works on the level of agitprop polemic; in its manic energy and declamatory Brechtian style, it's reminiscent of an Actors' Gang "whack 'em over the head" staging. While it's rough-edged and riddled with odd moments... "Bright Boy" succeeds in conveying McNamara's technocratic zeal and grandly misconceived ideologies. In Hickman's hands, he personifies the whole schizophrenic decade
Daily Variety, Paul Hodgins
>Full Review
Development:
Honors:
Katy Hickman: One-Act Plays
REQUIRED READING
Set/Technical: Open playing area suggests classroom, music room, library, Leti's apartment.
Running Time: 35 minutes
Development:
Katy Hickman: Ten-Minute Plays
LAYERED BOB
or, The Angela Carter Beauty Parlor
Character Breakdown: 2F
Set/Technical: Stylist chair and cart preferred but not necessary. Strange make-up/mask and wig work required.
Running Time: Ten minutes
CHILLIN'
Character Breakdown: 2M
Set/Technical: One set to connote a basement. A couch is helpful.
Development:
Nomenclature
Reviews:
"Katy Hickman’s “Nomenclature” plants the entire world in a three-tub garden."
LA Weekly, Steven Leigh Morris
>Full Review
Katy Hickman: Plays for Young Audiences
Katy Hickman: Plays for Solo Performer
METEOR GIRL
Character Breakdown: 1F
Running Time: One hour, ten minutes
Awards:
Production History:
Reviews:
"...uneasy and intriguing...Hickman confounds expectations."
Los Angeles Reader - Critic's Choice
"...otherworldly..unexpected...a charming introduction to a writer with a genuinely original eye."
San Francisco Examiner
"...fresh...assured....just hums with irony."
San Jose Mercury News
"Fast, funny, intelligent and wise."
SF Weekly, Mari Coates
"Energetic, buoyant....skillfully rendered."
SF Chronicle
"A serene intelligence...intensely human and hilariously funny."
Madeleine Shaner
Development: